Archtop Pineapple Ukulele Part 3

Lots of progress on this project recently. The sides have been glued into the slots into the neck.

Sides glued into slots in the heel of the neck

I made the kerfing from some straight grained quarter sawn spruce (construction lumber). They were about 6mm (1/4″) square, cut through to leave around 1mm thickness.

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Guitar Build – StewMac Premium Body-Built Acoustic Guitar Kit – Part 4 & Conclusions

TLDR: It is playing and sounds good.

Now for the details…

Gluing neck on

Gluing neck on

This went on easily enough. I didn’t bother with cauls – there didn’t seem to be a need. I did this in the house as the workshop was too cold for the glue to set properly. Note the masking for the bridge – more on this later…

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Engineering Conciousness

Something a bit different – an engineer’s view of conciousness.

Every so often I see articles on the Internet explaining conciousness in terms of vibrations or quantum theory. However, I think these are over complicating the issue. We can approach the problem from an engineering viewpoint and I think the reason for conciousness emerges.

This isn’t an idea I’m claiming for my own – I came across it when researching robotics in the 1990s. However, I haven’t seen it explained anywhere recently so it is probably worth writing down. If you can spot holes in the idea then please comment below.

TLDR: conciousness is a necessary part of creatures that learn how to interact with the world.

A simple problem with a simple robot

Imagine a simple mobile robot. It has:

  • Not much weight – it doesn’t matter if it bumps into things
  • Two motors driving two wheels
  • Two touch sensors – one at the front at the left and one at the front at the right.
  • Some kind of neural network that connects the touch sensors to the motor controls.
  • Programming that tells the robot that it must keep moving forward, so that if it stops it needs to reprogram its neural network so it can move forward.
Small, light robot

We put this robot into a maze and see what happens.

If we’ve got it right (and there are no dead ends – discussed later) then the robot learns to turn left when the right touch sensor hits something, and turn right when the left sensors hits something.

Robot learns to turn right when left bump sensor hits something
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Guitar Build – StewMac Premium Body-Built Acoustic Guitar Kit – Part 2

We had to enlarge the holes in the peghead to take the machine heads. This is properly done with a tapered reamer. I bought a StewMac reamer for the pegs that hold the strings to the bridge and started enlarging the holes with that, but it wasn’t big enough to finish the job.

The reason for using a reamer is that it is less likely to split the wood than a drill. Eventually I realised that a tapered hole drill would do the job, so we set to work.

My daughter enlarging the holes with a tapered drill

Once the outside of the hole was the right size it was simple to use a normal drill to enlarge the hole to the right depth without splitting anything.

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Guitar Build – StewMac Premium Body-Built Acoustic Guitar Kit

Hmm. Just like buses – projects all come along at once. I was looking for a new guitar for my daughter. StewMac have a kit where the body is already built – the remaining work is pretty straightforward. Plus it is fairly cheap, even including postage and import taxes. Plus the reviews say it sounds excellent. So a good summer project for me and my daughter – she’ll get to say that she made her own guitar!

The kit as it arrived – looking good

We haven’t got very far yet – just the first couple of steps. These are to do with fitting the truss rod into the neck.

Squaring the end of the truss rod slot
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DIY Pineapple Concert Ukulele

Oh no – not another uke!

I’ve sold the Mostics 3018 CNC – it was just far too unreliable. It broke my heart everytime it went wrong and chewed up hours of work. So I’m not working on the Archtop Pineapple Uke at the moment.

Instead I’m making a conventional ukulele – flat top with braces – from reclaimed wood from an old desk. The draw sides and bottoms are make of some of the finest cedar that I’ve ever seen – lovely stuff. This will be used for the soundboard. The rest of the uke is made from mahogany – some from the desk, some from a chest of drawers and some from some wood my dad gave me.

Cutting the neck
Flattening the peghead
Carving the heel. The sides fit into the grooves in the neck – this is how classical guitars are made.
Widening the slots in the neck for the sides. This is a lolly stick with sandpaper glued to it. I couldn’t find a better way to do this easily.
Bending the sides round the mold using my hair curler 🙂
Spot the dovetail ends of the wood for the sides – this was part of a drawer.
The sides fitted into the neck
The back and front are going to fit inside the sides rather than on top.

As you can see from the last photo, the back and sides are fitted inside the sides of the uke rather than being glued on top of the sides. This is basically because I think it will look nice and it means I won’t have to bind the edges. However, it isn’t easy to do – the bending of the sides is far more visible and getting the back and front to fit exactly is tricky. Going ok so far – the photo above shows the back.

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